Eosphoros, The God of Light

During the great battles with opposing deities, as written in the scriptures, Eosphoros wields a lengthy spear in battle. The weapon is seen as graceful, it's length representing the longevity of the God of Light's existence, the tip is the merciless that pierces the heart's of the unworthy,
so they may know the might of the savior.

The color itself represents the divinity of the deity, and the radiant glow that will be bestowed upon the world once the savior returns. The precious metal did not come about as an offering until his loyal, most devoted followers began to give up worldly possessions in his name. Many of his first devotees were wealthy, upperclassmen who had less than desirable traits, and even more detestable ways of gaining their wealth. Perhaps, in an attempt to be saved like the most lowly before, they offered up their treasures and began to follow the teachings.

The symbol that adorns the cover of the Savior's Scripture are the wings of Eosphoros. It is commonly depicted as six, ethereal wings that surround an orb of light. It is said that they can bear the weight of the world's sin. When the Saving Day finally comes, those wings will embrace the remorseful and their sins will be washed away in the Light, along with the rest of the world.

To celebrate the first, mortal witness of the deity and the supposed author of the scriptures, a gathering takes place and there is a reenactment of that faithful day performed in the temple. Many use the time to reflect deeply upon themselves. Others may use the day to further the teachings.

Also simply referred to as "The Saved" for sake of convenience. Eosphoros' faithful followers. Followers don a simple, white robe with long draping sleeves, wear a golden wristlet on their right wrist. The leaders of the faith wear a golden circlet instead of the wristlet. Some wear shoes, but not all. They only leave their designated temple of they decide to leave on a pilgrimage to spread the word of their faith. If not, they will remain in their designated town or city and preach there. Followers are taught to be strictly pacifists unless they absolutely need to draw a weapon, either for self defense or defense of another.

They are loosely based on Greco-Roman architecture: doric pillars, open courtyards, high ceilings and imagery upon the walls and pillars. Every inch of every temple is built with polished marble and limestone. There is only white and gold used within the temple, never any other color. Inside sanctums are spacious and open, with benches surrounding the Altar in a circular pattern. Many rooms line the corridors of each temple. Many temples are large, but the largest have rooms that house each and every follower that decides to reside there, and have room to spare for guests and other activities.

On the day that Eosphoros makes his return in the world, his followers from every corner of the earth gather in the largest temple in the capital city.

In the innermost sanctum of the temples, lay the altars. Offerings are given, scriptures are taught, and the most important celebrations and rituals are always taking place here. It is made of polished, almost shimmering ivory marble. To desecrate such a place would be considered an act of blasphemy.

Since the known sightings of Eosphoros are that of his most perfect form, he is depicted as such in all forms of art. In many statue depictions, he is seen to be extending one hand outward in front of him. His other is holding a spear at his side, standing rigid. More gentle depictions are of the deity kneeling, hands outstretched and palms facing upward, or of him embracing what seems to be a globe. Statues are made in the upmost of care and with a critical attention to detail. The most lavish and expensive marble and limestone create these pieces. Many are put on equally intricate pedestals, and can be found scattered about the interior and exteriors of temples.