Mollie Loveless

You And Me

• I Don't Believe

  "It is the nature of men to make monsters, and it is the nature of monsters to destroy their makers."
  
  

  
  Subject, Mollie Loveless. Estimated birth, 1995, aged twenty at time of interview. Recorded for future reference.
  
  "Do you know why you're here, Mollie?"
  "'Cause I killed a man."
  
  "Do you understand why that's bad?"
  "Not at all, mister."
  
  "Why did you kill him?"
  "He treated me real bad."
  
  "Do you think he deserved to die for the way he treated you?"
  "An eye for an eye, right? He took my eyes, so I took his. It's not my fault the drill went too far!"
  
  "But he didn't take your eyes, Mollie, I'm looking right at them."
  "He fucked 'em up, mister. It's the same thing."
  
  "Did he do anything else to you, Mollie?"
  "Oh, you have no idea, mister."
  
  The recording starts cutting out. In between static and silence, clipped screams and laughing can be heard.
  
  

  

• A Word You Say

  

  
  Mollie is what most would describe as "crazy." She's completely unpredictable and gives the same vibes a rumbling volcano would give. While most of the time she seems happy, outgoing, confident, flirty, fearless and a little ditzy, that can change at any moment, and the triggers change from day to day, leading to a constant state of uncertainty and uneasiness. She's aggressive and volatile, picking fights over nothing and for no better reason than boredom. She can also be obsessive, promiscuous, possessive and a bit... stalkery. And underneath it all is a crafty, intelligent fighter with not just a desire, but a desperate need to survive. She will not be threatened, will not be cut down. Anything that is thrown her way will be overcome, by any means necessary.
  
  She is almost completely blind, and so Mollie relies heavily on her sense of hearing, with a secondary dependence on her sense of smell. Sudden noises, stairs, and traffic scare her, while hospitals, labs, and medical equipment terrify her beyond reason. She reacts quickly and fearfully to sounds, often standing staring at the source like a deer in headlights, or cowering and trying to hide by someone bigger and stronger than her. With traffic and stairs, she gets sad, and will stand there looking at the ground until someone helps her. Hospitals, labs and medical equipment are reacted to with either complete shutdowns or an overpowering sense of "run the fuck away". There is no in between, and God help anyone in between her and escape.
  
  

  

  
  Mollie is a pretty small gal, standing at 5'4" and weighing a little less than "healthy." She has long, dark brown, blackish hair and eyes that were a bright, vivid blue in the past, but are now a light, creamy, somewhat icy white-blue. Her styles of clothing are a bit erratic--she can look like the preppiest schoolgirl one day, and the most intensely Gothic the next. Most of the time, however, she dresses strangely patriotic.
  
  Being small and easily threatened, despite her abilities, she often uses her looks to her advantage, using them and a soft, sultry tone to lure would-be attackers to their deaths.

• But I Can't Stop Listening

  
  
  
  Random Tidbits, Facts, & Headcanons

  • Mollie is twenty-four.
  • Mollie has moments of lucidity, where she seems like a totally normal, average, sane person.
    She can trigger lucidity (or enhance it) by getting high.
  • Her journals are written in moments of lucidity. She's always high and alone when she writes them.
  • When asked, Mollie will insist that she is a psychopath that is incapable of having deep, personal connections. She will also insist that she cannot feel love and has never felt it before. It's bullshit, obviously, but it's unknown just why it's bullshit.
  • Sometimes wears an engagement ring.
  • Has many, many weapons; her main weapons are two golden pistols named Queenie and Kingston that are almost always on her hips, two other pistols (blue and red, named Baby and Cake respectively), a golden shotgun named Jayne, gold plated grenades that, while not nearly as present as her pistols, can still be seen frequently attached to her belt, and a gold hunting knife she keeps hidden in her boot.
  • Carries a bat as a weapon on occasion.
  • She also has two bricks as "weapons," named Bonnie and Clyde.
  • Owns this dress, as well as these pajamas and these shoes.
  • Wears Captain America lingerie (Exhibit A, Exhibit B).
  • Has a Harley Quinn inspired outfit.
  • Has several well hidden tattoos; a Captain America shield on her upper right inner thigh, a human bite mark on her left lower hip, a Cheshire Grin 'tramp stamp,' a leaping doe on the inside of her left ankle, a heart-shaped padlock under her left breast (towards the center of the chest), a rose on her right upper underarm (close to the pit), a hyena to the right of her naval, the outline of a rat on her right inner wrist, and the outline of a mole on her left inner wrist. They vary in age, but her newest seems to be a katana on her left inner thigh, close to the knee.
  • She has what most would assume to be a C-section scar, as well as two parallel, slightly diagonal scars on her shoulder blades. Many more scars cover her body, varying in size, severity, and age.
  • Will often break out into song when given the chance, and sometimes without being given the chance; it will not always be appropriately timed. However, the song will, strangely, almost always fit the situation at hand.
  • May or may not be addicted to snake venom, because it lets her "feel the fire."